明清刊本《西游记》“语图”互文性研究
明清刊本《西游记》“语图”互文性研究电子书籍推荐下载地址
内容简介：
本书是教育部人文社会科学青年基金项目成果，主要分析明清刊本《西游记》丰富的插图在形式的演变上所表现出的地域上的不同刊刻风格，以及因镌刻者技法不同而形成的不同风貌，也反映了在印刷技术改进后所形成的刻印与石印风格差异，同时揭示了小说流布国外后所形成的本土与异域的民族审美差异。从语-图互文的角度出发，分析明清刊本《西游记》的艺术价值及其传承关系。本书对明清《西游记》图文关系研究只是对特定历史时间的断代研究，对《西游记》图文关系的研究可以起到抛砖引玉的作用。
书籍目录：
绪 论··································································································· 001
章 明清刊本《西游记》概述···························································· 006
节 目录学中的插图本《西游记》·············································· 007
第二节 明清插图本《西游记》版本述论··········································· 013
第三节 明清《西游记》插图形式····················································· 029
第二章 “语—图”互文视野下《西游记》人物形象研究································ 031
节 唐僧形象演变····································································· 031
第二节 孙悟空形象变迁·································································· 048
第三节 猪八戒形象变迁·································································· 065
第四节 沙和尚形象变迁·································································· 077
第五节 白龙马形象解读·································································· 084
第三章 世德堂本《西游记》“语—图”互文性研究········································ 090
节 世德堂本插图的艺术特点····················································· 090
第二节 世德堂本“语—图”关系解读··················································· 101
第三节 世德堂本对后世神魔小说的“语—图”互文影响························· 119
第四章 李评本《西游记》“语—图”互文性研究··········································· 138
节 李评本插图的艺术风格························································ 138
第二节 逸外之致：论李评本插图的文人画创作倾向··························· 152
第三节 图像证史：李评本插图对版本考定的价值······························ 171
第五章 闽南三本《西游记》“语—图”互文性研究········································ 178
节 杨闽斋本插图特色······························································· 178
第二节 阳至和本与杨闽斋本的互文性探讨········································ 203
第三节 图像史证：阳至和本与杨闽斋本承继关系······························ 216
第四节 朱鼎臣插图本的独特价值····················································· 237
第五节 朱鼎臣本图文关系研究························································ 248
第六节 图像史证：朱鼎臣本与阳至和本的承继关系··························· 265
第六章 清代插图本《西游记》“语—图”互文性研究····································· 280
节 清代《西游记》插图本总体特征··········································· 280
第二节 新说本《西游记》“语—图”互文性研究···································· 286
第三节 《西游记》母题对后世创作影响··········································· 304
第七章 日本《绘本西游记》互文性研究·················································· 313
节 日本《绘本西游记》概况····················································· 313
第二节 绘本对李评本插图的互文表现·············································· 315
第三节 绘本摆脱李评本插图影响后的发展········································ 323
主要参考文献························································································· 327
后 记··································································································· 339
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( 2024-05-07 21:16:48 )
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( 2024-09-20 19:24:08 )
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( 2025-02-28 09:55:19 )
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( 2024-06-12 12:41:21 )
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